The Maidens ⭑⭑⭑⭑
Genre: Thriller
US Publication: June 15, 2021
Print: 352 pages
Audio: 9 hours 19 minutes
Confetti Rating: 4 stars
REVIEW:
There’s a justifiable amount of buzz swirling around Alex Michaelides’s sophomore novel, The Maidens, given the success of his 2019 debut, The Silent Patient. Said buzz (and early reviews) made me wonder a few things before I even cracked it open, so as an act of public service I’m sharing my pre-read Q’s with my post-read A’s.
Q: Do you have to read The Silent Patient beforehand? Or in my case, if you have read it, do you need to remember anything about it?
A: Not really, though you’ll miss out on some things if you don’t. I found this Washington Post recap to be very helpful in jogging my memory of TSP’s characters, plot points and twists.
Q: Do you need to be familiar with Greek mythology beforehand, since it plays a central role in the storyline?
A: Nope! Everything is explained (maybe even in a little too much detail for those who already know Persephone, “The Maiden,” is Queen of the Underworld).
Q: What’s this I hear about animals being harmed?
A: There are separate scenes of sheep and a family dog being slaughtered.
Q: Will I like it more than The Silent Patient?
A: Probably not. It stands pretty well on its own, but the odds of it exceeding high expectations aren’t great. As with any thriller, your overall enjoyment will come down to if you see the twists coming and find the ending satisfying. I personally was surprised by the big reveals and thus appreciated the novel’s conclusion. I’m looking forward to seeing what this author does next.
I received advance copies of the book and audiobook courtesy of Orion Publishing Group and Macmillan Audio, respectively, via NetGalley. Both formats are recommended. The Maidens is slated for US publication on June 15th.
PUBLISHER SYNOPSIS:
Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek Tragedy professor at Cambridge University, Fosca is adored by staff and students alike — particularly by the members of a secret society of female students known as The Maidens.
Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge.
Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld?
When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything — including her own life.