REVIEW:

Diane Chamberlain. She’s my gal.

Her storytelling has the power to sweep me away, completely. When I get my hands on one of her books, I spin around in circles like Snoopy doing a happy dance. I did that with her latest, The Last House on the Street, but then a weird thing happened. I set it aside and read dozens of others ahead of it. I just NEEDED it to be so good that I was scared to read it.

Fortunately, it is good. Really good. In true Chamberlain fashion, The Last House on the Street is a dual-timeline narrative set in North Carolina. The contemporary story features a young grieving widow, Kayla, piecing together a new life for herself and her daughter, and the historical story focuses on a 20-year-old white woman, Ellie, in 1965 who goes against her family’s wishes to dedicate her time to SCOPE. The Summer Community Organization and Political Education project was a voter registration civil rights initiative conducted in six southern states. The goal was to recruit white college students to help prepare Black Americans for voting and to maintain pressure on Congress to pass what became the Voting Rights Act of 1965.

Typically dual-timeline narratives have one treasure and one turd, but I found both women’s stories equally compelling. Kayla and Ellie are likeable and easy to root for, and it was satisfying to see how their lives intertwined at the end.

As for the inclusion of the SCOPE project as a central plot point, I'm happy this aspect of American history has been brought to my attention. Chamberlain just scratches the surface of it by using it as a backdrop for a forbidden interracial relationship though, thus my desire to learn more about the project will send me to nonfiction resources in the future.

So will The Last House on the Street be recalled as one of my favorite Diane Chamberlain novels? No, she’ll be hard pressed to top Necessary Lies and The Secret Life of CeeCee Wilkes in my eyes. I will always recommend her books to people looking for page turners though, and this is no exception.

I was gifted advance copies for review by St. Martin’s Press and Macmillan Audio. The audiobook features one narrator, Susan Bennett, despite the novel’s dual-timeline/-main character format. Ms. Bennett is a very capable performer though, so it was never difficult to discern any of the who/what/whens of the story. If you prefer the audio format, you won’t go wrong here.

The Last House on the Street is slated for US publication on January 11th.

PUBLISHER SYNOPSIS:

From bestselling author Diane Chamberlain comes an irresistible new novel that perfectly interweaves history, mystery, and social justice.

When Kayla Carter's husband dies in an accident while building their dream house, she knows she has to stay strong for their four-year-old daughter. But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area... and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.